Today a long-forgotten crucifix will be placed once
again in the Basilica of Saint Peter in Rome. It will hang
in the Blessed Sacrament Chapel near Bernini’s great
tabernacle. Bernini himself would have admired the work of
the anonymous artist, for its mediaeval style anticipated
the spirit of the more exuberant baroque.
The crucifix was carved seven hundred years ago
and was the object of devotion in the original Constantinian
basilica built in the fourth century. The torso and legs are
seven feet long and are in one piece made from the trunk of
a walnut tree. It was placed in the new basilica in 1626 and
survived many vicissitudes, including the Sack of Rome when
the invaders used the old basilica as a horse stable and
mockingly vested the corpus in one of their uniforms.
Gradually, it was forgotten after it was
removed to make room for Michelangelo’sPietà and ended up in a remote and virtually
unreachable chapel. High technology has restored it, as it
suffered discoloration and termite damage. The sort of
stereo microscopes used in microsurgery identified the many
layers of paint and varnish before they were meticulously
removed.
The outstretched arms are six-and-a-half-feet
wide. Even if the Lord had not been nailed to the cross, his
arms would be open to all who approach him, as they were
when he ascended into glory. “Come unto me, all you
that labor and are heavy laden, and I will give you
rest” (Matthew 11:28).
Our nation is weary, and the ennui is
especially taxing and belabored by a long election campaign.
Events have forced us to examine the condition of our
culture, and how much we have ignored Christ’s call to
come to him. The degradation of our institutions, reflected
tellingly even in the way people dress and speak, is
palpable and has taken its toll on our schools and
governments and even our churches. This is a time, rarely
matched in our national annals, for choosing between
conversion and tragedy. To choose the tragic path is to mock
our Lord, and our demoralized culture is already well on its
way to masquerading Christ Crucified in comic vestments.
Two hundred and twenty-five years ago, to this
very week, Bishop John Carroll penned a prayer for the new
nation. As the first bishop in the United States, cousin of
a signer of the Declaration of Independence and an esteemed
friend of many Founding Fathers, he stood on a terrain high
enough to survey the looming dangers and salutary prospects
of the day, as he prayed for a government “encouraging
due respect for virtue and religion; by a faithful execution
of the laws in justice and mercy; and by restraining vice
and immorality.” Our perspective is the same today,
only with more souls both at risk and offered benevolent
promise.
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