Smoky Mountains Sunrise
Showing posts with label Church Architecture. Show all posts
Showing posts with label Church Architecture. Show all posts

Wednesday, September 25, 2013

How Traditional Catholic Architecture Better Fulfills the Plan of God

From The Archdiocese of Washington
By Monsignor Charles Pope

Catholics have often endured the charge that we are an unbiblical Church. Strange accusation, really, for the Church that collected the Scriptures, determined the canon of Scripture and preached it for 1,500 years before there ever was a Protestant denomination. The fact is we are quite biblical and often in ways that are stunningly powerful.

For the Church, the Scriptures are more than merely ink spots on a page. The Scriptures are manifest and proclaimed in how we live, how we are organized hierarchically, our sacraments, our liturgy and even in our buildings.

Long before most people could read, the Church was preaching the Gospel. And to do so, she used the very structure of her buildings to preach. Many of our older builds are a sermon in stone and stained glass.

The Scriptures come alive in our art, statues, paintings, and majestic stained glass windows that soar along the walls of our Churches like jewels of light. Even the height and shape of our older churches preach the word. The height draws our sights up to heaven as if to say, Since you have been raised to new life with Christ, seek the things that are above where Christ is seated at God’s right hand (Col 3:1). And the shape of most of our older churches is the shape of a cross. As if to say, May I never glory in anything, save the Cross of my Lord Jesus Christ (Gal 6:14).

My own Parish Church is a sermon in stone and wood and glass. It is designed around the Book of Revelation, Chapters 4 and 5 in which John is caught up into heaven and describes it in detail. The fundamental design of the sanctuary drawn from Revelation 4 and 5 includes the throne-like altar (Rev 4:2), seven tall candles around the throne (Rev 4:5), the four living creatures in the clerestory windows above the altar (Rev 4:6-8). At the center of the altar is the tabernacle wherein dwells the Lamb once slain who lives forever, Jesus (Rev 5:6). Around the throne (altar) are seated the twenty-four elders (Rev. 4:4) symbolized by the 12 wooden pillars on the back sanctuary wall and the 12 stained glass windows of the Apostles in the transept windows. The multitude of angels who surround the throne (Rev 5:11) are symbolized by the blue and gold diamonds on the apse wall.

I have assembled pictures of these details along with the scripture texts from Revelation in the following PDF document: Holy Comforter Church in Washington DC and the Book of Revelation

In effect the builders of my Church (built in 1939) were saying, when you walk into this church, you have entered heaven. Indeed, it is a replica of the heavenly vision of John. And when we celebrate the liturgy it is more than a replica for we are taken up to heaven in every Mass where we join countless angels and saints around the heavenly altar. There we worship God with them. We don’t have to wait for some rapture, we go there in every Mass.

But there is more! For what John saw in heaven is none other than what God had prescribed to Moses. Moses was told quite explicitly by God how to construct the ancient sanctuary, the tent of Meeting in the desert. The layout, materials and elements are all carefully described.

And, having given these details God says, Now have them make a sanctuary for me, and I will dwell among them. Make this tabernacle and all its furnishings exactly like the pattern I will show you. (Exodus 25:8-9) And again God later says, See that you make them according to the pattern shown you on the mountain (Ex 25:40). And yet again God repeats: “Set up the tabernacle according to the plan shown you on the mountain (Ex 26:40).

The Book of Hebrews, commenting on this pattern says why God insists on the following of the pattern so exactly: They serve at a sanctuary that is a copy and shadow of what is in heaven. (Heb 8:5). In other words, the Ancient Temple was a replica, or a pattern really of the heavenly sanctuary.

Most older Catholic Churches maintain the basic pattern of what Moses was shown. Note this diagram, comparing the layout of the sanctuary in my parish church, Holy Comforter St Cyprian (HCSC) with the layout temple:


In the photo just below, you can see the remarkable similarity more visually. The pattern is even etched on the floor of my church which echoes a detail about the layout of the temple that Ezekiel described:

So there were four tables on one side of the gateway [of the sanctuary] and four on the other–eight tables in all–on which the sacrifices were slaughtered. (Ez 40:41)

Here below (on the left) is a depiction of the setup of the Tent of Meeting as it was when the people were still in the desert, next to a picture of my parish church sanctuary showing the remarkable similarity:

Note the way the scroll work on the floor of my parish (right) matches the four tables on either side in the sanctuary where the animals were slaughtered. The fiery square and horned altar in the photo of the temple (left) is represented by the horned square on the floor of my church (right). In the photo on the left of the ancient sanctuary, the holy place, and the holy of holies towers in the back, as does the high altar and tabernacle in my parish church on the right.

Simply put, the builders of my parish church remarkably depict the ancient temple and also the vision of heaven in the book of Revelation. This is what Church building should do: exemplify the heavenly sanctuary, a plan which God himself gave. Sadly, modern architecture has departed from the plan significantly. But in recent years, there has been something of a return, a trend for which we can only be grateful.

The Catholic Church is surely a biblical Church. My very building shouts the Word! We Catholics preach the word not only with ink and speech, but also in stone, wood, glass, liturgy and the arts, all to the glory of God.

Here is a video of some of the details of my parish.




Sunday, February 26, 2012

Zeal for God’s House: An Architect’s Reflections on Sacred Space

Something vital has been lost in Catholic church architecture, obscuring any indication that God is truly present there.

By Henry Hardinge Menzies

 “Zeal for your house consumes me.” (Jn 2:15)

The sun was setting over the vast Valley of Mexico as I climbed up to the flat roof of a building at the Montefalco Conference Center to do a painting. The shades of brilliant scarlet from the sunset to the west threw the distant mountain range into waves of blue. I was anxious to get set-up fast in order to capture this strange beauty before it vanished. I wanted, especially, to capture at sunset the snow-capped Mt. Popocatepetl, (elevation: 17,887 ft.). Unfortunately, it was enshrouded in clouds. I fumbled to get everything ready. The eerie silence was broken only by the faint distant sounds of a mariachi band. A breeze came up. The sky darkened. I thought I had missed my chance.

Tuesday, November 22, 2011

New Vatican Commission Cracks Down on Church Architecture

The new commission will be established shortly, as part of the Congregation for Divine Worship. It will also be in charge of music and singing in the liturgy

By Andrea Tornielli



Diocese of Orange's new Crystal Cathedral
A team has been set up, to put a stop to garage style churches, boldly shaped structures that risk denaturing modern places for Catholic worship. Its task is also to promote singing that really helps the celebration of mass. The “Liturgical art and sacred music commission” will be established by the Congregation for Divine Worship over the coming weeks. This will not be just any office, but a true and proper team, whose task will be to collaborate with the commissions in charge of evaluating construction projects for churches of various dioceses. The team will also be responsible for the further study of music and singing that accompany the celebration of mass.