From Global Politician
By A. Millar
Books on Islam is a saturated market, an editor friend of mine told me a few months ago. At the time I though she might be right. I had only recently read a couple of works that, for want of a better description, read like second rate Bruce Bawers. Maudlin and self-absorbed, these books (which shall remain nameless) tell us more about the authors than they do about radical Islam. Former boyfriends, Holland in the Springtime, and hints that the Pulitzer Prize went to the wrong author, are punctuated with references to female genital mutilation, terrorist acts, and hook-handed radical preachers.
It is as if one were wandering around an Impressionist exhibition only to discover someone has scribbled images of Palestinian terrorists in thick black marker pen all over the Monets. Yes, the juxtapositions is jarring, but the average person living in the West is assaulted by contradictory messages every day, whether on the stream of billboard adverts he passes on the way to work or in an evening’s television-watching. Consequently, such books fail to shock, and, indeed, to force us to see the crisis of the West as an existential threat.
Our jaded culture, and cultural relativism, allows us to believe that the graffiti might be the real art. And one man’s terrorist is another man’s freedom fighter anyway. So what’s the problem?
It’s this kind of cultural relativism, and cultural suicidal tendencies, that Rebecca Bynum confronts in Allah Is Dead: Why Islam is not a Religion (New English Review Press). At 152 pages, this work is slimmer than those like the aforementioned, but it is denser and far more challenging. Few, if any, will agree with everything that is said. But this book was not written to be agreed with. It was written to shake things up, and push the reader outside of his comfort zone. An engaged mind is more important to Bynum than a nodding head.
It is as if one were wandering around an Impressionist exhibition only to discover someone has scribbled images of Palestinian terrorists in thick black marker pen all over the Monets. Yes, the juxtapositions is jarring, but the average person living in the West is assaulted by contradictory messages every day, whether on the stream of billboard adverts he passes on the way to work or in an evening’s television-watching. Consequently, such books fail to shock, and, indeed, to force us to see the crisis of the West as an existential threat.
Our jaded culture, and cultural relativism, allows us to believe that the graffiti might be the real art. And one man’s terrorist is another man’s freedom fighter anyway. So what’s the problem?
It’s this kind of cultural relativism, and cultural suicidal tendencies, that Rebecca Bynum confronts in Allah Is Dead: Why Islam is not a Religion (New English Review Press). At 152 pages, this work is slimmer than those like the aforementioned, but it is denser and far more challenging. Few, if any, will agree with everything that is said. But this book was not written to be agreed with. It was written to shake things up, and push the reader outside of his comfort zone. An engaged mind is more important to Bynum than a nodding head.